Cultural Legacy Celebrated: Remote Australian Artists Triumph at National Indigenous Fashion Awards
The annual National Indigenous Fashion Awards have crowned their latest winners in Darwin, highlighting deep-rooted family histories and a unique international collaboration. From ancient woodblock printing to traditional Tiwi adornments, the event celebrated the strength and storytelling of First Nations designers.
First Nations creatives, designers, and artists from across Australia have been celebrated at this year's prestigious National Indigenous Fashion Awards (NIFA). Held under the stars at Darwin's Deckchair Cinema on Larrakia country, the event stood as the country's largest annual showcase of Indigenous fashion, drawing local crowds and art enthusiasts from afar. Organized by the Darwin Aboriginal Art Fair Foundation as part of Indigenous Fashion Projects, the ceremony followed on the heels of a sold-out Country to Couture runway celebration.
A Cross-Continental Creative Alliance
Among the night's major honors was the Community Collaboration award, which recognizes powerful, two-way partnerships between First Nations communities and the textile and fashion industry. This year, the accolade went to an extraordinary partnership between the Bábbarra Women's Centre in the remote Northern Territory community of Maningrida and Tharangini Studio in India.
Accepting the award in Darwin were Padmini Govind, who travelled from India, and Janet Marawarr, representing the Bábbarra Women's Centre. Their joint effort saw 78 Indigenous designs from 14 distinct clans translated into woodblock stamps. These stamps were then used for hand-printing in Bangalore (also known as Bengaluru), employing ancient techniques preserved over hundreds of years. Despite the distance and language differences, the two women-led organizations successfully fostered what Govind termed "textile magic."
"It's a craft-led dialogue because, when they visited us, English is our fourth language and English is also a third language for them," Govind explained. "But we felt we really didn't need a common spoken language to create all this textile magic."
While the linocut tools typically used by artists at Bábbarra tend to degrade over time, high-quality wooden blocks can last for up to a century. "In way, it's preserving stories of artists who are here and also who are no longer with us," Govind remarked. "We really feel blessed to be part of their cultural legacy." She added that the designs represent far more than simple aesthetics: "It's a piece of their family history that's been entrusted to us,"
For Marawarr, the international collaboration is a vital tool for cultural preservation. Through this medium, she noted, "[We can] teach our children for the future and [show] the old people, to see how they print the design,"
Honoring Family Ties and Country
The prestigious Fashion Designer Award was presented to Delvene Cockatoo-Collins of Quandamooka Country in south-east Queensland. Overwhelmed by the recognition, Cockatoo-Collins produces sustainable, handmade textiles, including garments, accessories, and homewares.
"My work always starts with a story and I'm wearing what I make — that is hand-printed, naturally dyed, small batch, all connected to my mum and her stories, my grandmother's written and oral history," Cockatoo-Collins said.
She emphasized how vital the annual NIFA ceremony is for bridging the geographic gap between creators in remote areas, giving them a platform to exchange stories and knowledge. According to Cockatoo-Collins, "[Fashion] a visual way of sharing a story, and it can be read almost instantly on the runway," She added, "When people look at that work, they can see that it's from the island that belongs to our family line: my granny's granny."
Celebrating Tiwi Traditions
In the Traditional Adornment category, which champions the creation of traditional regalia designed to express living culture, Michelle Pulatuwayu Woody Minnapinni of Milikapiti on the Tiwi Islands took home the top prize. Minnapinni handcrafted intricate bark baskets (known as "tunga" on the Tiwi Islands), armbands, and headwear using materials deeply tied to Tiwi heritage, such as bird feathers and pandanus leaves.
Having learned these artistic skills from her late older sister, the award carries immense personal significance for Minnapinni, who hopes to pass these customs on to younger generations. "It's been a long journey to make it this far," she shared. "I'm really proud of myself, but also I had to do this to honour my old people, and my late sister, and just pass down the traditional knowledge."
2026 National Indigenous Fashion Awards Winners
- Fashion Designer Award: Delvene Cockatoo-Collins (Goompi/Dunwich, QLD)
- Textile Design Award: Lillardia Briggs-Houston (North Albury, NSW)
- Business Achievement Award: Kimberley Aboriginal Fashion Textiles Art (Rubibi/Broome, WA)
- Traditional Adornment Award: Michelle Pulatuwayu Woody Minnapinni (Wulirankuwu, Milikapiti, Tiwi Islands, NT)
- Wearable Art Award: Lucy Simpson (Tempe, NSW)
- Cecilia Cubillo Young Achiever Award: Jake Powers (Walmanyjun/Cable Beach, Broome, WA)
- Community Collaboration: Bábbarra Women's Centre x Tharangini Studio (Maningrida, Arnhem Land, NT)